I've lost track of what i was writing in this conclusion. Mainly because it is a beginning. Embedded int his text is a theory, one of maneuvers--a way to apply an analysis of the political economy of kinesthetics and the resulting corporeality. None of these are in the singular. if anything, the end of the 20th century showed us how silly it is to insist on singular anything, but at the same time, how there really is only one. One. Just one thing. The rest is us spinning out of control, bored on the big blue ball. That aside. You cannot talk to a starving man about philosophy any more than you can talk about choreography to the consumer.
Perhaps here, I should back up.
What I have hoped I have shown is not just an analysis of the methodology inseparable from the practice of black culture, but also the fundamental productive and delirious space of racialized consciousness as it is confronted with practiced moored to place. I will need to stop here.
I am headed next to the kinesiosphere and on to the gesture palette, some of which I have already written directly into the chapter.
